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I work in publishing and I like to read things. Herewith: free association on books, nice things I ate, publishing, editing, and other nice things I ate.
Red means "read" (past tense)
1. Native Son, Richard Wright (04/19/09)
2. Gravity’s Rainbow, Thomas Pynchon (11/30/09)
3. Atlas Shrugged, Ayn Rand
4. Watership Down, Richard Adams (09/20/10)
5. Ragtime, E.L. Doctorow (03/12/10)
6. Middlemarch, George Eliot (06/12/09)
7. Fahrenheit 451, Ray Bradbury (06/15/09)
8. Women in Love, D.H. Lawrence
9. The French Lieutenant’s Woman, John Fowles
10. The Lottery, Shirley Jackson (12/08/09)
11. Wonder Boys, Michael Chabon (05/26/09)
12. Moby Dick, Herman Melville
13. Moll Flanders, Daniel Defoe
14. Tender is the Night, F. Scott Fitzgerald
15. Foundation, Isaac Asimov
16. House of Mirth, Edith Wharton
17. Persuasion, Jane Austen (01/10/11)
18. Chocolate War, Robert Cormier
19. The Naked and the Dead, Norman Mailer
20. Kindred, Octavia Butler (10/05/10)
21. Underworld, Don DeLillo
22. The Golden Notebook, Doris Lessing
23. Swann’s Way, Marcel Proust
24. Of Human Bondage, Somerset Maugham
25. Bless the Beasts and Children, Glendon Swarthout
26. The Secret Life of Bees, Sue Monk Kidd (05/06/09)
27. While I Was Gone, Sue Miller
28. American Wife, Curtis Sittenfeld (04/09/09)
29. The Brothers Karamazov, Fyodor Dostoevsky
30. Horace, George Sand
31. Digging to America, Anne Tyler
32. Farewell to Arms, Ernest Hemingway (09/07/09)
33. War & Peace, Leo Tolstoy
34. East of Eden, John Steinbeck (03/24/11)
35. A Light in August, William Faulkner
36. The Conservationist, Nadine Gordimer
37. The Good Terrorist, Doris Lessing
38. Memoirs of a Good Daughter, Simone DeBeauvoir
39. Carry On, Jeeves, P.G. Wodehouse (01/02/10)
40. The Woman Warrior, Maxine Hong-Kingston (12/31/09)
41. Gotham, Edwin Burrows and Mike Wallace
42. A Fable, William Faulkner
43. The Collected Stories of Katherine Anne Porter
44. American Tragedy, Theodore Dreiser
45. Finnigan’s Wake, James Joyce
46. Sophie’s Choice, William Styron
47. What We Talk About When We Talk About Love, Raymond Carver (04/02/11)
48. The Corrections, Jonathan Franzen
49. The Plague, Albert Camus
50. Miss Lonelyhearts, Nathaniel West (04/20/09)
51. White Teeth, Zadie Smith
52. Charming Billy, Alice McDermott (04/11/11)
53. Push, Sapphire (08/14/09)
54. Farming the Bones, Edwidge Danticat (12/27/11)
55. Silence, Shusaku Endo
56. Ulysses, James Joyce
57. Temple of the Golden Pavilion, Yukio Mishima
58. The Sun Also Rises, Ernest Hemingway (04/18/11)
59. The Known World, Edward P. Jones (09/18/11)
60. Kokoro, Natsume Soseki (06/25/09)
61. The Waste Land, T.S. Eliot (04/08/09)
62. Northanger Abbey, Jane Austen (04/05/09)
63. My Antonia, Willa Cather (08/26/10)
64. Go Tell It on the Mountain, James Baldwin
65. The House of Spirits, Isabel Allende (01/29/10)
66. Herzog, Saul Bellow (02/19/10)
67. The Adventures of Augie March, Saul Bellow
68. The Boat, Nam Le
69. Ender’s Game, Orson Scott Card (08/09/11)
70. Three Lives, Gertrude Stein
71. The Hound of the Baskervilles, Arthur Conan Doyle (06/20/09)
72. As I Lay Dying, William Faulkner
73. Middlesex, Jeffrey Eugenides (04/28/09)
74. Possession, A.S. Byatt (10/30/10)
75. Under the Net, Iris Murdoch
76. Housekeeping, Marilyn Robinson (03/20/10)
77. Infinite Jest, David Foster Wallace
78. The Wind-Up Bird Chronicles, Haruki Murakami (05/05/11)
79. Runaway, Alice Munro
80. In America, Susan Sontag
81. The Stories of John Cheever
82. God’s War, Christopher Tyerman (10/30/10)
83. Valley of the Dolls, Jacqueline Susann
84. A Model World, Michael Chabon (09/21/11)
85. Anna Karenina, Leo Tolstoy (07/21/09)
86. The Mambo Kings Play Songs of Love, Oscar Hijuelos
87. A Thousand Acres, Jane Smiley
88. American Pastoral, Philip Roth
89. The Shipping News, E. Annie Proulx (09/27/10)
90. The Book Borrower, Alice Mattison (04/04/09)
91. David Copperfield, Charles Dickens
92. The Stone Diaries, Carol Shields (06/07/09)
93. Tropic of Cancer, Henry Miller (04/15/11)
94. Bad Behavior, Mary Gaitskill (04/03/11)
95. Empire Falls, Richard Russo
96. Rebecca, Daphne DuMaurier (03/30/09)
97. March, Geraldine Brooks
98. The Second Sex, Simone DeBeauvoir
99. Gilead, Marilyn Robinson
100. Werewolves in Their Youth, Michael Chabon (01/01/12)
Total: 45/100
40 comments:
Not. Good. She sounds like an angry brat. Wait, did I just say something I shouldn't have?
Yep.
I guess it's a good thing I never liked her writing anyway.
Self-censorship is a delicate art.
I would view this as either an inane attempt at publicity, or something akin to cursing under your breath and not realizing that the microphone was on and everyone could hear it.
Other less favorable interpretations of the behavior may include irresponsible, unprofessional, arrogant, and ill-thought-out.
Yeah, I saw that on GalleyCat this morning. I was shocked. Frankly, I'd expected better from her. I mean, this is ALICE HOFFMAN. Sandra Bullock and Nicole Kidman star in the movie versions of her books. She's big time.
Yeah, I'd expected better.
Sometimes it is wisest to say nothing. People can interpret that as stoic, suffering in silence or unaffected, but they at least can't interpret it as vindictive crazy person!
Egad. Very surprised she went this route -- I'm sorta hoping her account was just hijacked or otherwise hacked into. Otherwise, er, "Here's the gun. There's your foot. Okay? Now pull the trigger."
As Arte Johnson used to say on Laugh-in "very interesting"
Yikes indeed!!
Its one thing to not like a critic's review and even to voice your dislike but giving out personal details over twiter purely so fans can mawl the critic is stepping WAY WAY over the line.
*shakes head*
This is like that Robin Hobb thing with fanfiction.
And now her twitter page has disappeared. Nice.
Authors have a perfect right to respond to critics. A writer spends six months or a year writing a book that's then attacked by a reviewer in a piece the reviewer knocked out in afternoon, and the writer can't fire back? Says who? Why does the artillery only fire in one direction?
That being said it might be impolitic, but that doesn't make the author wrong, just reckless.
My complaint with reviewers is anonymity and the interchangeable nature of book reviewers. You should know your critic in order to know their prejudices and preferences.
In movie reviewing for example I know Ebert will surrender on plot points if you have pretty pictures. So I can evaluate his criticism. But "anonymous" cannot be judged.
Who watches the watchers? (Wait, that's a pretty good line. I wonder if anyone's used it?)
Yikes is right.
I found a blogspot for posting and commiserating about bad reviews with fellow writers. It's called The Worst Review Ever. Better forum to vent in, instead of whining in public...
Michael - i don't think the issue is about the right of the author to be able to respond to critics. I think authors have every right to defend their work if they wish to in a professional and reasonable manner
I think 'the yikes factor' has to do with the fact that she called her a "moron" and posting the critics phone number and email address and then asking her fans to ring/email her.
No one's work is above criticism. This was pretty mild. The writer needs to get over herself.
I think 'the yikes factor' has to do with the fact that she called her a "moron" and posting the critics phone number and email address and then asking her fans to ring/email her.
Yeah, that was a bit much. I wrote a nasty letter to a critic once that suggested . . . well, things that weren't terribly flattering.
Of course later, sober, I had the paper spike the letter.
This is why you don't blog when you're angry. Seriously.
Complain to your family around the dinner table, have a beer, and let it simmer for a day or three.
It does shock me that people can't take criticism professionally after all the rejection they went through to be published. You'd think you'd be desensitized enough to shrug it off?
It's a bad reaction, but not all that uncommon -- a lot of people (particularly those who are older, and haven't used social media a lot) think that they're just communicating with their friends when they're actually broadcasting.
Hoffman was rude and obnoxious, but if she'd said the same thing in a private e-mail, or a newsletter to her fans, it wouldn't have been exceptional. I guess she didn't realize that Twitter isn't just a newsletter to her fans.
uh.... wow... not all that well thought through, huh?
Hmm, another reason to cool off before responding to criticism.
Sometimes social networking is NOT your friend.
I like some of Hoffman's stuff. Does just saying,"some" instead of proclaiming undying adoration for her body of work mean I'm the next target? lol.
At the very least she should have taken the time to look up the answer to her own rhetorical question. Nothing makes you look like a pro like a web smackdown--both giving and getting.
I learned this lesson in business, never write an email when you are angry, or at least don't SEND it. A good night's sleep can do wonders for racing emotions.
Remember, kids (this is your e-mom speaking), you will be the first generation with an e-trail. You can't erase it all, e-tread carefully.
I can sympathize with the frustration with a reviewer who writes spoilers. But there is no justification for that kind of behaviour. She says in her apology that she thinks her reaction has been blown out of proportion.
Not.
There is such a thing as class. Anna Hoffman doesn't have it.
She should be ashamed. Really, I read the review and it wasn't awful.
spoild brat.
Yeesh....
Completely unimpressed. And, while I've read some of her stuff and might someday read more, this does more to discourage me than the reviewer's mediocre review.
I'm not sure when authors are going to get, that when you open your mouth in public, in whatever forum, and behave badly, people notice, potential buyers of your books will notice.
Be smart. Be gracious, gawd when you get a bad review, have a glass of wine and get over it.
Wait. You mean that blogging while drunk can actually have an effect on my reputation as a writer?
Holy crap!
I'm in deep trouble here...
If you don't respect a critic, wouldn't you want a negative critique from that person? I mean, this is someone who's been getting published since 1977. Did she miss the ad campaign for the first Ramones album, a full-page ad of both the extremely positive and extremely negative reviews? Choose your enemies wisely and they'll work as well for you as your friends.
And speaking of 1977 - Aimee, that is an absolutely fabulous avatar. Are you sure you're not Amii Stewart?
double yikes!
Far be it from me to defend Hoffman -- and I'm sure she'd choose a different defender -- but creatives are sometimes weird people. Sometimes difficult people. There's a long, long history of literary feuds, many involving writers we all admire.
So everyone climb down off her back. She's no nuttier than a lot of writers. You want to meet normal people, hang out with accountants.
i keep thinking of that saying:
Never pick a fight with someone who buys ink by the barrell. You'll never win lol.
Over the last couple of years I've seen three of these incidents (that I can recall) where authors who are upset about a review decide to publicly respond. I don't think it's possible to respond to a negative review in any fashion and come out looking better for it. I can't even imagine a scenario where a public response could ever make the author look good. Two words come to mind: Don't engage.
I remember hearing a story — probably made up, but who cares — about a guy trapped behind enemy lines in WWII Germany.
Donald Pleasence has been captured, so this guy has to go looking for someone else to forge him some papers.
One night in a bar (it is made up, isn't it?...), he gets into an argument with some bloke and ends up beating him to death.
In the morning, when he sneaks down the stormtrooper-festooned street looking for a sign saying "Forged Papers Sold Here", he realises the bloke he bludgeoned to death was his passport to freedom. The Germans capture him (and probably turn into werewolves).
Anyhow, the moral is that you never know who you're going to need.
That's...just stupid.
(Hoffman's reaction, not Whirlochre's story, which was kinda funny. :)
Michael, you can still be creative and have some class.
Holy crap.
As I said at the site, if you're going to put your work out in public, you have to don your big person pants and prepare for the fact that not everyone will love it. Gripe privately to your best friend/partner/pet if a bad review bugs you, but it is extremely unwise to go public with anything less than gracious acknowledgment that attention has been paid, if you feel you must say anything at all. Given how benign this "negative" review was, the ugliness of the reaction is even more glaring. Spoilers are a separate issue and I would have a problem with that, but I don't buy that this was Hoffman's issue.
I'm reminded of a negative review I wrote once, to which the author responded, publicly, that he wished I were dead. Responses such as this and the one mentioned in the article above don't sell books; they only cause readers to say "I don't think I want to give money to this person." Hoffman's a big enough "name" that she won't lose her house over this, but she will lose readers.
So there's this YA author, AS King. Someone reviewed her on thebookbook, and the review was mostly positive, with some small "I wish the book..." kind of details, too.
AS King came on thebookbook and left a little note positively acknowledging the review. That was it, a one-line note. It's up here if you want to see:
http://thebookbook.blogspot.com/2009/04/s-kingthe-dust-of-100-dogs.html
I actually bumped into AS King at BEA (I hadn't read anything by her and knew nothing about her except this comment chain on thebookbook). I brought it up with her, saying I thought her reaction was great, and she said she does that for all her reviews, regardless of what they say. Because in the end, you inspired someone to go out and take the time to write something about your work--they thought about your book, and deserve thanks, even if they didn't think what you might have hoped they thought.
I think that attitude is great. It must take strength, but in the end, I don't think anyone expects (or maybe even wants) EVERYONE to love their book. So when your book gets into the hands of someone you maybe didn't intend to like it, thanking them for their time is a erally nice, cordial gesture.
Oh my God, you're all being so boring. What is wrong with a lovely feud? It's interesting. It's fun. It's entertaining.
I wouldn't have gone as far as Hoffman, but this tug your forelock, please sir can I have some more attitude is sad. Someone takes a shot at you, you have a right to take a shot back. People who don't want a little push-back probably shouldn't be writing reviews.
And it won't cost Hoffman a single reader net. She got a lot of publicity, she pushed back against the suggestion that she was past her prime, and she reminded future reviewers that they aren't speaking from Mount Olympus.
Michael,
So if I disagree with you and I have a national forum, you think it would be okay to post your email address and encourage people to send you negative comments?
Probably not that hard to get your email if that's really what you want.
It's not a question of disagreement or fun feuds. Writers should have an avenue for defending themselves, but critics have to be allowed to criticize.
In this instance it's the writer who's put herself on Mount Olympus. All the critic did was critique. If you have evidence to the contrary, please offer it.
Roberta Silman, if you're reading this: Please feel free to review anything I've written. I will accept fawning reviews, mixed reviews, and even negative reviews, particularly if they are interesting and you spell at least some of my characters' names correctly. There is nothing critical you can say or write, Roberta, that I have not already said or thought myself. Isn't a writer always her own worst critic?
P.S. In all seriousness, we need every reviewer and every reader who respects us enough to read us.
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